Houdini, Redshift; 2025.

Reflection on Maurice Blanchot’s novel (1997).

The nameless characters, and I, are trapped in a cyclical relationship with the surrounding, constantly revisiting a past encounter we can’t fully recall, while simultaneously anticipating its potential reoccurrence within the confines of a rented room that represents the liminal space of existence itself.

This is a particle simulation that is turned into a sculpture.